Sometimes even the best made plans go awry, and this was the case earlier this year. We had the perfect storm of bead orders held up for weeks in customs; lengthy post delays for precious parcels being sent out to beaders, and an ever dwindling deadline to make the magic happen for a special event. In the end, we had to admit defeat… and simply wait for the storm to pass.
Shipments have finally arrived and the gorgeous Cristabelle bracelet is ready to go. I love the design of this piece, it’s so easy to wear and you can make it snug fit or loose and bangly. Signature features of dainty and detailed beading bring together crystals, pearls and my beloved Albion stitch.
The original design was in pewter and violet, a pretty, go with anything mix, but with the arrival of new crystals and beads, I’ve expanded the collection to include three more temptingly delicious colourways. You can find them in the Kits department here.
A New Kit!Fortuna has been waiting in the wings for the longest while, as all the components took their time to arrive from various points of origin. But now I’m delighted to share: Tada! ‘Fortuna’ a brand new design from me, for a beautifully proportioned pendant. The design centres around a clear orb and half dome, with lots of beady detail and tiny sparkling crystals. Fortuna is inspired by the Roman goddess of Fortune, and time taken researching our long history of fascination with crystal ball
There is something very calming about how a perfectly transparent ball changes and magnifies the things around it, like raindrops on a window, or a perfectly still pool of water.
I’ve been wearing a green one non stop since I finished beading it, and I’ve discovered a delightful bonus, it’s an ideal ‘Worry’ piece, it feels lovely when you run the fringes through your fingers. I really enjoyed weaving the ideas together for you, and the worksheet with the kit includes a little history of the sources of inspiration, for you to muse over between beading.
The Museum of Beadwork has a lovely project going on. An invitation to create and submit a 6in x 6in beaded Square, the project will be ‘A bead based ‘quilt’ visualizing the individual and communal experience of this distinct moment in history’.Probably like a lot of people, I have confused, sad, angry and negative thoughts about ‘this moment in time’. So I focused on this instead… In the future, looking back on this time, what will I cherish and bring forward with me?
Beaders are very sociable, our community has quickly become groups of faces on screens, where we share our love of craft, stitch away our fears and fasten our hopes together with beads and thread. I meet up with dear friends weekly, something just not possible with our previously hectic schedules. We are a strong, intelligent, creative, passionate, funny and articulate group and our virtual meet ups are definitely a lifeline of love.
In the face of the enormity of the pandemic, looking for the pleasure in the small things is a way to stay positive and centred. The good things I’m cherishing and hope we will bring forward with us are, that our skies and waters are clearing of pollution and wild nature is flourishing. The pleasure of growing and nurturing plants in the garden, time spent being present with friends. So my beaded panel grew into a set of symbols, that, for me, sum up these small but precious joys.
The beading was great fun, I layered translucent fabrics to make a background. Then used velvet and fine braid, with lots of bead embroidery, to make the shapes. I think I just about fulfil the requirement for not less that 50% beads.
Dragonfly = Wisdom, transformation, adaptability in life.
Beetle = Hard work, stability, solidarity, co-operation, love and creativity.
Leaves = Hope, renewal and revival.
Daisy = New beginnings. In my Celtic heritage it symbolises that ‘Every hardship can be lessened and made sweet’.
Now I have to parcel it up and send it off to the Museum. Can’t wait to see the finished installation.
I have zoom classes! Please check my workshops page here for booking links. The classes I’ll be teaching are in association with the bead shops where we would usually meet for in person classes. Each store will be putting together materials packs for their class event if you need them, in time for you to pre-order before the class.
About the current classes
Beachcomber. Inspired by the colourful seaside accessories of beach balls, buckets and spades, this design is a simple collection of beaded beads, little pendants and colourful O rings. Links and spinners are the key to the design that can be worked in lots of different combinations.Embellished peyote stitch is used to create losenge shaped beads. A cute netting technique is used to cage drop beads for the pendants. A colourful statement that is light and comfortable to wear on sunny days. A class is for intermediate level students (anyone who has mastered thread tension).
Shell Seeker. Inspired by long happy days spent beach combing for natural treasures, I’ve created a spiral formation beaded shell, embellished with sparkling crystals.The structure is worked in seed beads, forming a double twist. It’s definitely an intriguing shape to build with beads.The double twist allows for two rows of embellishment, or leave it with just one adorned with crystals.The Shell Seeker is a lovely object to create and own, or add a beaded loop to the top to use as a simple pendant.This class is suitable for advanced level students (anyone who is comfortable with complex thread paths).
Annecy.The lake at Annecy is the most beautiful turquoise blue, and the medieval buildings reflected in the waters were the inspiration for this pendant design. Constructed and layered, then embellished with tiny crystal mesh elements. The pendant hangs from a chain intersected with beaded beads. This is also a class to explore structure in Albion stitch.This class is suitable for intermediate level students (anyone who has mastered thread tension).
Luciana. Inspired by the Venetian carnival and gorgeous costumes, moonlit gondola rides and the romance that is Venice. The Luciana necklace is a delicious mix of crystals and pearls. The curling centrepiece wraps around a coin pearl, and is decorated with detailed fringes and a bail. The necklace is a pretty chain with beaded beads. Worked in a mix of Albion stitch and netting with a little bit of right angle weave. Perfect for experienced beaders who want an interesting construction to play with.
Verona. The Verona design is inspired by the Italian Rennaisance jewels and traditional lattice hair adornments.Based on a simple technique to create a squared bezel, which is then combined with a netting technique that makes this an easy to slide on, expandable bangle.The combination is so versatile, included in the class is an option to create an elegantly curved necklace to complement the bangle, plus other combinations to inspire you to experiment, including a bracelet with clasp option.
Viola. A set of motifs that can be worked as bracelets pendants and necklaces, in many different combinations. A quick and easy bezel for Rivoli and Chatons, crystal links and right angle weave connections.The recipe is given for each one, then you can choose how to put them together. Which is the fun part of the day, with more examples to give you inspiration. Stitches are a combination of Right Angle Weave, Peyote stitch and netting.This class is suitable for intermediate level students (anyone who has mastered thread tension).
A New Kit!It has been lovely to sit and bead the True North samples, thinking of all my beading friends as I work.True North was inspired by a poem which got me thinking about history and treasure, quests and purpose. Finding your True North is supposedly the key to happiness, for me, it is the time and space to immerse myself in my crafts and simply create the ideas in my imagination.
I love this pendant for several reasons. Firstly because it was my first adventure with Cork fabric, which is a very thin layer of cork, bonded to a backing. It is soft as butter to stitch through and is my new favourite foundation for bead embroidery. Next, True North combines gorgeously sparkly components brought back from journeys abroad, with really easy beading techniques so it is relaxing to make. No complicated challenges here, yet the end result looks satisfyingly rich and colourful. I also love this design because the making of it helped me calm down and work through the processes of designing, instruction writing, photographing and sharing, settling me back into my journey of creativity. The antique compass featured in the product photographs belonged to a family member and it was used often throughout his life to make journeys across far flung continents. The True North kits can best be described as ‘one of not very many’, as the combination of supplies are limited to my precious stash! if you’d like one, they are available here.
It’s Forget me Not harvest time! Some years I miss the harvest because I’m travelling. It’s an extra bonus of lockdown to be here, just as the hedges around my house are full of these cheerfully blue flowers. Because they are a crucial part of my little’ Beaders Blend’ thread conditioner.
I developed it after experimenting with lots of different thread conditioners and finding them not quite right for my beadwork. There is a big debate about whether to condition thread or not. Some threads come pre-waxed, or coated, but for those that don’t, or if you need a helping hand… the basic rule of thumb is, Silica based conditioners like Thread Heaven, help synthetic thread to become more slippery. Wax based conditioners do the opposite. So, if you have thread tension issues, one or other type can be a useful addition to your tools.
Having taught a lot of beaders and peeked into many work boxes, I’ve seen everything from a white candle stub, fancy crystalline wax in pots, to a gnarly lump of bees wax being used. I like to condition my thread when I’m working on complex structural beading, and developed the Beaders Blend to be a light touch helper.
It took lots of trial and error with various recipes until I found the one that worked best. It’s a mix of pure bees wax, straight from the honey makers, combined with two different white waxes, in (of course) secret proportions. The ingredients melt together into an easy to apply wax that gives a very light application, which is just what I needed for my style of beading.
The process starts with the Forget Me Not harvest, flowers are pressed in an old fashioned flower press until they are completely dry.
Then the cooking the mix day starts and kitchen slowly fills with the gorgeous scent of warming beeswax. When the blend is ready I pour it into tiny silver foil cups. The finishing touch, once the mixture has cooled, is to add a tiny blob of more mix (harder than it looks and each one a little different!) and decorate it with a pressed flower.
One Beader’s Blend will last you a long time, and you can find them in my shop here.
The Frieda Khalo craze saw the humble woolly Pom Pom re-emerge as a go to accessory and seems set to continue in popularity. As children, we would cut two circles of card and laboriously wrap them with yarn then glue googly eyes to the resulting pom pom, sigh.
But then, the ingenious folk at Pom Maker, created an enticing selection of wooden pom makers, painted in macaroon colours and… mine is Pistachio thank you! A quick google investigation had my pom pom making tools increase to include several natty plastic ones from Prym, and a ‘slip them in your handbag’ nestling set from Pony. So what has this got to do with beading? not much except that yarn = colour so what’s not to love about any yarny craft. But, how about beaded pom poms, tada!
Earlier this year, with aubergine and lime yarn, I spent a happy afternoon winding and fluffing, what turned out to be, enormous but delightfully sqidgy pom poms. Isn’t it the truth that stepping outside the comfort zone, trying something a little different and revisiting your inner child, is how inspiration starts.
I looked at my pom poms and decided that the addition of beadwork would make for great bag charms. Ergo several evenings of frantic beading later and the Pom bag charm took shape. Because the pom poms were super sized (about 6cm diameter) I used size 8 beads for the bands, 4mm crystals for sparkle and size 11 beads for the rest. Frantic beading because I also decided to give the bag charms to some awesome beading friends I was about to visit.
The beading plan is simple. You can bone up on the basics with my free Stack a Rainbow bracelet pattern, (minus the edging). It can be worked in just one bead size, or mixed sizes. To start make a ring of beads that fits snug around the pom pom, making sure you have multiples of 4 beads. Work the stitches and join the stitch tips.
Start a second band from a tip bead of one of those apertures, and anchor it to a tip bead of the aperture directly opposite on the first band. The bead count is half the original ring, minus 5.
If the original ring was 40 beads (10 apertures), the half ring will be 15 beads (20 minus 5). Add the stitches, then join the tips attaching to the next tip bead of the apertures on the original band.
Repeat on the other side of the same two apertures and voila, you have a frame that will hold the pom pom securely once you squish it into place.
Next, go crazy with crystals and colourful beads and embellish each aperture (again, the how is in the bracelet pattern).
The finishing flourish is to stitch from bottom to top through the beading and the pom pom, to secure a large sparkly crystals and a loop of beads for the bag charm clasp.
After a wonderful 10 days in California, and a rush back to prepare and deliver our Elemental Beading March Retreat just a few days later (also wonderful fun), the whole Covid19 lock down took me a while to get a handle on.
I am in awe of my beading colleagues who have already started delivering on line tutorials and live events. Bravo you, but if like me, you need a little longer to process things, my favourite business advice guru Jennifer Lee has the best advice ever… “It’s okay if you feel stuck, uninspired or overwhelmed. It’s okay if you don’t have the energy or capacity to create something new, lead a free call, or write inspirational posts like everyone else seems to be doing. It’s okay to feel ALL the feels”.
Feeling all the feels is good, resting up after a hectic, time zone crossing schedule is good. But suddenly finding a huge expanse of creative time stretching ahead of me, absolute heaven. You’d think I’d rush to the beads, but actually, with so many project ideas in various stages, it was time to get organised. Out came my darling Featherweight sewing machine, born in 1933 its history is a comforting reminder of the many upheavals it has calmly stitched through over the years. Inspired by my friend Marcia and an easy to follow tutorial by Erica Arndt, I decided to make some project bags. Fat quarters and ribbons bought for their colours on shopping trips with friends, added another layer of comfort.
I adjusted the size, mine measure 11″ x 8″ (28 x 20cm) and added ribbon above the zipper, because more colour is a happy thing. I got a bit pernickety and hand stitched the binding at the back mostly because my machine sewing skills were not up to the task of keeping neat lines, those of you who sew will totally get this. I made them this size so that they would fit neatly into the top of my adorable mint green trolly. But there was definitely a little something missing.
My dear friend Sabine Lippert came to the rescue with a live facebook lesson in making little beaded beads. It’s so lovely to just have time to take an aside and make something beady just for the pleasure of it, instead of guilt tripping over upcoming deadlines. I picked out beads to go with the fabric colours. Then spent a very happy few hours making the beads, putting them on to wires and adding accent beads and little lobster clasps, and Voila! the cutest zipper pulls ever.
The little zipper pullers gave me another idea for the yarn hobbies, knitting and crochet. They make the prettiest stitch markers! All you need is a beaded bead, there are lots of patterns out there to suit the bead stash you have to hand. A couple of accent beads (I used Swarovski 6mm briolette cushion beads in Pacific opal and Crysolite opal), a 5cm head pin, a 10mm Lobster clasp, some round nose pliers and a little bit of patience to make the wrapped loop.
Picking up familiar hobbies, immersing in gorgeous colours, beading for pleasure, each one a little step to finding balance and inner peace.