The Abigail Shawl Pin

I have enjoyed spending cosy winter evenings re-discovering knitting. Thanks to Andrea Mowry’s ‘Night Shift Shawl (Find it here on Ravelry), I can now slip stitch and i-cord edge like a pro.

The attraction is, of course, the yarn, so many colours and combinations! A feast from which it is hard to pick and choose. I decided that my shawl needed a pin. I used Fyberspates yarns, and when I went into the bead room, the very colours I’d been knitting with the night before twinkled more brightly in the bead stash. Once I had the design sorted, several more yarn inspired colour combinations gave me a lovely set of colourways for the kits.

The photographs in my beading pattern include several of the knit and crochet shawls I’ve enjoyed making, and I’ve included the yarn info and pattern sources so beaders who are yarn heads too, can add to their shawl stash.

The kits are available here, and come with printed instructions.

The PDF if you just want the pattern, is available here in my pdf store.

Anything Goes Bangle

I found a dreamy new frock in a sale, a bit more luxurious than the usual everyday outfit, and perfect for re-entering the world of actually meeting people. I’ve had this bangle pattern on my ‘to do’ list for ages, and the temptation to make myself a set to go with said new frock was too much to resist. I’m loving wearing the bangles every day, and have made a blue set in the Pantone colour of the year  ‘Very Peri’ mix to go with jeans on slouching at home days.



The lovely thing about this bangle is that you can bring all sorts of colours to the mix, and all sorts of accent beads to the final row. A beady stash busting dream of a project, because it only takes a few grams of each colour. Plus, it can be made with either Miyuki or Toho seed beads. You can find the pattern in my PDF store here.

Bubble Bubble Crystal cleaning

There is a lot to be said for teaching, not least of which is that I learn as much from my students as they do from me. During one class I was showing a design for a new class that calls for un-foiled crystal Chaton. Once the design was completed, I soon discovered that, while we can buy foiled crystals, un-foiled ones in a variety of colours are much harder to find. Class discussion led to a recipe that is tried and tested, and the discovery of many blog posts on the topic.

Why? I have bags of vintage crystals foraged from dealers in all things old, I love them, but the foiling is often scratched and damaged. How lovely then, to be able to bring them back to life. Also, because I’m loving my new light and airy bezels and the play of light they allow on un-foiled stones and can’t wait to teach the new designs.

The ingredients are simple and readily available: Vinegar and salt. Coarse Sea Salt or Rock Salt works the best, because the texture helps to loosen the foil when you get to the swishing part of the process. Some recommend Apple Cider Vinegar, others Malt vinegar, honestly I used White Malt Vinegar as the cheapest (and least smelly) available, and it works just fine.

What many of the posts don’t get into is some basic home safety. Most Foiling uses fine layers of Silver, Copper and Brass, but who can be sure what alloys were used with really old crystals. Please wear rubber gloves and work over newspaper that can be folded up to capture all the metal flakes, then discarded.

Cautionary tale: this process works for regular crystals, but any with a secondary coating will loose that too. Most coatings (Aurora Borealis, Iridescent, Shimmer etc) are created by passing the crystals through a metal vapour or PVD (Physical Vapour Deposition), to leave a light coating of the metal. As such this too will be removed by the process.

How: Take a small glass bowl, fill the bottom with the salt. Put in the crystals, then pour in the vinegar until the crystals are covered. Cover the bowl with film, then wait. Patience is required, 24-48 hours worth. Next, swish the solution to move everything about and help the salt to loosen the metal.

Wipe the foil off with a dry cloth or paper kitchen towel. Some foils slide off most satisfyingly. Others may only partially come off, so just put them back in the solution for a further swish and 24 hours.

Went all the foil is off, wash the crystals in warm soapy water and polish them dry.

Light Gets in. 2022 workshop.
Oval and round vintage Chaton, ready for a new life.










I confess that this is a new and addictive side hobby and deeply satisfying.


Rosslyn inspired bracelet

Rosslyn Chapel is a masterpiece of the stone masons art. Nestled into the landscape it has been an inspiration from Wordsworth to Dan Brown. Little details of the stonework were the inspiration starting point for the shapes in my new Rosslyn bracelet. The result is an architectural blend of chaton and crystal frames, interspersed with delicate arches. I’m loving the crunchy textures! The colour inspiration came from the wider landscape; dark peat, moss and lichen, wild Heather and windblown stone. It also came from a treasured hoard of woven Mohair fabric, and the last of my summer Hydrangea.This is absolutely my favourite part of designing, finding new colour mixes that help to tell the story of the shapes of the beading.









Rosslyn is available in three dreamy colourways and you can find the kits here. If you prefer to go on your own colour inspiration adventure you can find the Rosslyn Bracelet PDF in my PDF store here.

Magazine beading

I’m having a happy moment. My work has appeared in not one, but two publications recently. In October my Pocket Money Princess bracelet appeared in the Beadworker’s Guild Journal, you can read about it here.

But Tada! Heather goes super international, with not just a project, but a lovely feature article too, in the Japanese magazine ‘Bead Art & Embroidery’, published by the Japan Bead Society. My copy arrived in the post and I spent a very happy hour browsing the beautiful creations, love the inspiring mix of materials used from thread, wire and  bamboo to traditional seed beads. I also love the quality of images that enables a non Japanese reader to follow the stories and project steps visually.  Hopefully their readers will enjoy a glimpse into my little corner of planet bead too.

I’ve added the Boheme flower to my 2022 workshop offerings, I had a mini breakthrough with the ‘Drawing with beads’ and am excited to share some new Albion stitch techniques in this class.



Sometimes it takes a nudge. Birdie had been sitting in my ‘get the pattern written’ box for quite a while. Then, during a class discussion about Albion stitch, I showed the cute Easter version of Birdie, and the enthusiasm to bead one was, simply put, heartwarming.

I revisited the construction and decided to give the birdie some tail feathers and a crown, which only took a few sparkling crystals and some metallic beads. Another flock was born! The Year end prompted me to re-colour the Birdie to include a Christmas Robin.


The response has made the many hours of finessing the details, worth every minute, and I love how people are making their own versions of Birdie, based on their bead stash, and their imagination.

If you want to join in the fun, the PDF with all three variations is available in my PDF store here.

True North colour inspirations

I’ve had a great time this year teaching my colour theory for beaders in my ‘Colours of Love’ masterclass. There’s still one more to go in December (sign up here At City Beads Chicago).
So, with the arrival of the gorgeous Pave frames I use in the True North kits, I had enough beautiful glitteringly gorgeous Magenta ones to make a new colourway and used the masterclass theory to make the bead mix.
The inspiration was a piece of vintage Sanderson furnishing fabric, with just the right hint of autumn richnes for this time of year. I chose a vivid electric blue as the ‘kick’ colour and am loving the results. The True Notrh kits are back in stock and you can find them here.

A new Bracelet

October Issue 91 of the Beadworkers Guild Journal has arrived! I’m happy because now I can reveal my Pocket Money Princess bracelet which is in the issue. I’m also in the Designer Spotlight with a catch up of what I’ve been doing for the last year. But back to the bracelet…

We are all looking at alternatives to Swarovski, so I decided to use Aurora 8mm Rivoli, and Preciosa 3mm bicone crystals for extra sparkle. For seed beads I used some soft metallics and the new Jewel colours from Miyuki. The design beads up relatively quickly, with each segment growing from the next, so it’s easy to check the length and fit.

The Beadworkers Guild Journal is published quarterly and is packed full of beading news, articles and projects; plus special invitations and events for members. If you fancy becoming a member and joining in the fun, just visit their website here.